“Clear Cut has always been a pleasurable experience. Your staff are skilled, efficient and customer focused. Frankly it doesn't get much better than that.”
Dermot Caulfield - Series Editor, BBC Science
"Post production at Clear Cut was an education in how all post production should be done. You were uncomplaining, always amiable and lovely to work with."
Daisy Scalchi - Producer, Lion TV
"If you want to work with top class creative professionals, backed by fantastic technical staff, this is the place for you."
"You have peace of mind they can cope with projects of any size. Big enough to have the back up, small enough that people know who you are and care."
Dom Bowles - Series Producer
"It’s the best place to be – just the combination of the facilities, the food, the people. It’s chilled out, it’s state of the art. I just like it, I like it here – I work well here."
Paul McGann - Actor and Voiceover Artist
"The people here understand what it’s like to be a filmmaker and the pressures we’re under."
"Whenever I walk in I think, these people are really on my side and that takes a lot of the stress out of post."
David Sington - Managing Director, Dox
"I have to say that the whole team were really impressed with Clear Cut and this has been passed to Mentorn. You'll be seeing me in future that's for sure."
Amy Mangion - Production Manager, Mentorn Media
"Thanks for the great support we have had from Clear Cut."
Tom Brisley - Executive Producer
"I have found Clear Cut to be expertly qualified to meet the demands of intense and demanding production. Clear Cut is my edit facility of choice."
"The creative talent at Clear Cut is among the best, if not the best in the business."
Steve Anderson - Creative Director, Mentorn Media
"Thanks too for all the hard work on the show and the programme looks fabulous. And I should know because I have now watched it about 80 times!"
Ceri Smith - Production Manager, Change Productions
"Thanks for making the edits as painless as they could be. And thanks for the wonderful hospitality from everyone at Clear Cut; it's far and away the best facility I have worked in."
Danny Cooke - Freelance Editor
"Could I thank you and all your colleagues for the outstanding post production support that made this quick turnaround project possible.”
Neil Grant - Executive Producer, Mentorn Media
"Clear Cut has a good atmosphere and it’s relaxed, and you feel that people care. It's value for money and I want to put as much money on screen as possible."
Andrew Fettis - Freelance Producer/Director
"The level of technical support is superb and you get what you need when you need it."
Mikhael Junod - Freelance Editor
"What I love is that the Post Producers have this unique ability to make you feel really special. As if your project is the most important project they have which is phenomenal."
"The thing that never ceases to amaze me is the professionalism, the talent. And what I love is the teams just keep pushing themselves, they push their own boundaries."
"Our series have been re-commissioned not only from an editorial point of view, but a technical one. From how it looks and the quality, thanks to Clear Cut’s input and talent."
Sandra Shuttleworth - Production Executive
"I think here at Clear Cut there is an efficiency that you don’t generally get at most post production houses."
Adam Orr-Ewing - Series Producer, Flame TV
"I think what Clear Cut delivers is an atmosphere that’s actually focused on editorial. You don’t feel the tension, you just feel its fine, it will all happen and it does."
John Lynch - former BBC Head of Science
"I can say in all honesty I've not worked in a more professional, well run environment."
Gabriel Edvy - Freelance Editor
"If you’ve never worked at Clear Cut before, I think the way to describe the place would be – it’s a place that enables your creative ambitions to come true."
"I think Clear Cut’s main strengths are an absolute adherence to quality. Everything that happens is with quality in mind, so everybody really cares about what they do."
Michal Porecki - Series Producer
"Clear Cut has a warm and friendly atmosphere that is often lacking in other post houses. Even though it's a busy environment your project feels like a one to one experience."
Ross Bradley - Freelance Editor
"Starting a new project at Clear Cut is a joy. I know my project will be set up right, the kit will be working and stable, and I’ll be taken care of as no problem is too big or small."
Martin Johnstone - Freelance Editor
"In my experience Clear Cut has invariably delivered more money on the screen, and unheard of in terms of Soho post houses, you can park your car here for free – huge plus."
"People come back to Clear Cut because it’s good and because it never lets you down."
Matthew Barrett - Executive Producer
"There's plenty of space. You can work in all the rooms and have lots of space for the Editor, Producer, Assistant Producer – your edit suite is a mini production office."
"There’s a great reassurance in knowing when you come to Clear Cut, we’re going to get it done and it’s going to be done well and we’re going to get the best support."
Steve Anderson - Creative Director, Mentorn Media
"Just a quick one to say thanks to you and all the other guys at Clear Cut for the last couple of months. It's been a fantastic place to edit and everyone has been really helpful."
Tom Stubberfield - Freelance Editor
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